Altec Lansing 9444B User Manual Page 11

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11
Sound (continued)
Monitors: (2) Renkus-Heinz Trap JR/9 (Side Fill)
(2) Renkus-Heinz CE-3T (Side Fill)
(8) JBL VRX915M 1.5” x 15” floor wedge
(2) JBL PRX618S-XLF (Drum Subs)
(2) Crate SLH 1” x 12” floor wedge
(2) Galaxy Hot Spot
Microphones: AKG D-12E (1) Shure Beta 57A (4)
AKG C-1000S (2) Shure Beta 91A (1)
AKG C-3000 (2) Shure Beta 98 (4)
AT 853 Rx (6) Shure MX418/C (1)
Beyer M-88 TG (1) Shure SM-57 (6)
Beyer M 101 (4) Shure SM-58 (14)
Helpinstill 120 Piano Sensor (1) Shure SM-63 (4)
Sennheiser MD-421 (3) Shure SM-81 (2)
Sennheiser MD-431 (4) Shure SM-90A (2)
Shure Beta 52 (1) Shure SM-91A (4)
Direct Boxes: Countryman Type 95 DI (6)
Radial Engineering J48 (1)
Whirlwind PCDI (1)
Wireless Microphones: Shure ULXP4-J1 Receivers (4)
Shure ULX2-J1 Beta58 Handhelds (4)
Shure ULX1-J1 Belt Packs (4)
Countryman E6 Headset (2)
Countryman B3 Lavalier (2)
Shure WL93 Lavalier (2)
Installed Wiring: Junction boxes just off proscenium opening down stage right and left provide access to 32
XLR microphone lines and 8 XLR returns each in addition to 4 Neutrik Speakon connectors. The orchestra pit
contains a junction box with 16 XLR microphone lines and 4 Neutriks. Limited microphone positions are also
available on the catwalks and in floor pockets on the stage and pit. ALL AUDIO LINES COME TO A PATCH
POINT AT SOME POINT. These points are located in patch bays; one in the sound booth and one down stage
right.
Snake System: Main Snake: Whirlwind 48 x 8, 200’ W4 Fan-out
Split: Whirlwind 48 x 8, 30’ W4 Fan-out
Sub Snakes: ProCo 50’, 8 Channel (Fan to Box)
Whirlwind 75’, 12 Channel Mini Medusa (Fan to Box)
Whirlwind 50’, 12 Channel Mini Medusa (Fan to Box)
Whirlwind 75’, 6 Channel Mini Medusa (Fan to Box)
Cable: (10) 10’ XLR; (28) 25’ XLR; (18) 50’ XLR, (4) 4’ NL4; (5) 25’ NL4; (4) 50’ NL4; (4) 75’ NL4
Microphone Stands: (8) Atlas Tripod Boom Stands, (22) Atlas round base stands, (6) Atlas round base short
boom stands, (22) AKG boom arms, (5) Desktop stands
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